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WINTER DAY - LAST DAWN: ACTION! 4 / 6

This time, after telephoning, before going to bed, he remembers looking out the window. The sky is heavily clouded. It does not take a thread of light. The night is dark and dreamless. No call.

Mah! The next morning is dark. The gray winter sky does not forgive even the sun today. O. .. maybe ... believe that there is the hand that wants to be winning the light off his holy war.

He arrives, as always, a bit 'in advance. But this time it approached her, maybe slowing down the pace, as we usually do. Yes ferma sul vecchio ponte, a guardar giù il fiume che inevitabilmente scorre. Lei, giungendo dalla solita strada, sulle prime non lo vede. Finalmente, poi, lo scorge, gli si affianca ed insieme, gomiti sul parapetto, guardano giù.

Non averlo visto subito, come ogni mattina, le ha fatto ricordare il sogno. Non glielo racconta, ma gli dice: “Anche se sei sparito, io ti ho perdonato. Sai quanto mi hai fatto soffrire?”

Oh, moltitudini, quale meraviglia, ancora? Quali significati cercate, scrutando nell'oscurità che voi stessi avete generato? Tutto va come deve, semplicemente.

“Lo sai?”, insiste.

E lui, senza guardarla: “Se non lo sapessi, il tuo perdono sarebbe stato inutile.”

E così, insieme, si incamminano.

Se il fiume da un momento all'altro scorresse in senso opposto a quello attuale, non starebbe facendo altro che seguire la corrente. Una corrente nuova, La corrente.

“Si dice: ...essere liberi come uccelli... vorrei volare libero come un'aquila... fly free ... freedom ... freedom ... always talking about birds, we match the concept of freedom. "

So he speaks, sitting calmly. Her voice is serious, deep, firm. E 'striking: his body is so frail, so dry. Essential ... fatal.

"But what do you think that they are free to do, the birds? Where do you think that they are free to fly? What freedom do you think they have? "

The class listens to her, silent and still. They sit on the floor. The backdrop is a porch. Does this be a reminder of the ancient Greek schools of philosophy.

To Students absorbed, pensive, locked in a silent reflection, exception Lei She stares at him head on. His gaze is ironic. E 'challenge.

"They must find food, then migrate, and reproduce, then provide food for their children, then raise and educate. Educate them to what, in your opinion? A fly. To migrate, back, and again. And 'this, their freedom? The ideal scope to which we tend? "

The light fades at this point and focuses on the master, plunging the rest of the class in the dark. She gets up and smiles. Comes closest to the master and touched his shoulder, so as you would to comfort a child. Squote imperceptibly head. And he continues to set before him, and:

"And you? What else do you think you can be, different from what you are? You, everything you did and do is the determination of a choice imposed by your nature. Who you are and what surrounds you decide what you do. And just when you finally take the path of the craziest, most unusual, that you believe your so far from nature that it can be challenging, you will realize that the road was the only one that could take you and that everything I have been saying is the truth. "

Now she turns, her back to him and covering him at the sight of the hall and the audience.

presses his hands around her throat.

But laughs.

Ride madly.

Here you close the curtain.

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QUOTE freshly picked - PHILIP K. DICK

(1978)

In my writings I have occupied so much of the counterfeit, to arrive at the concept of making false false. For example, in Disneyland there are fake birds, driven by electric motors, croaking and screaming when it goes before them. Let's sneak in the park at night and replace the birds with poultry true false. Imagine the horror felt by the employees of Disneyland to find out this cruel hoax. Real birds! And maybe one day even the hippos and lions. Dismay. The park, to the able hands of dark forces, of the unreal becomes real. Imagine, for example, if the model of the Matterhorn was transformed into a genuine snow-covered mountain. What if that place, by a miracle of power and wisdom of God, was transformed in an instant, in the blink of an eye, into something incorruptible? Would have to close it.

by: How to build a universe that does not fall apart after two days

trans.: Gianni Pannofino

Blood Tests For Infections

WINTER DAY - LAST DAWN: ACTION! 3 / 6

Their homes receive them coldly. In winter, the dead season late this year to die.

A second before the start of the first sunrise in winter, its only up to that moment, the night was sure he had won the war, he had taken the final over.

When the walls of the houses are beginning to return a bit 'of the heat taken from their inhabitants, it is too late now, and it's just time to sleep.

Squilla phone him. Already knows that she is, across town from his home, connected by a thread that calls it. And so she answers without speaking. And she listens to him without speaking. It's not a dumb call. It 's a good night. It 's a promise.

Last night she dreamed. He asked her to accompany him to a place not far away, but she became impatient and replied that he had to learn to fend for himself, that he could not always afraid of having to take two steps without her. So he had moved alone to the place that he had asked to come together, and then, turning, she realized he was gone. It was not the first time. That they always disappear, so, without a trace, and there had never been so in those cases, to find him without his wish. This is a very disturbed, but had to rassegnarvicisi. Returned, so in this dream home. Then, in his bed, was awakened by a bell. It really woke up, because they really thought he heard playing. But uncertain if the ring had escaped from a dream or penetrated by reality, he was doubtful about what to do in the warmth of the blankets. The idea, moreover, that no one would play on his door at that hour, he had calmed down, but not quite.

anyone, he was convinced, had really call. In the dream or in reality. He saw, in the meantime, rays of light drawn on the opposite wall, light that penetrates through the cracks of the shutter half open, stamping on that wall and humming a stave blank. It was then decided to go to the window where they stood before him imperious, almost violent, a huge full moon that dominated the sky, coloring the expanse of snow below the bluish glow of an almost blinding.

All the next morning wondering if it passed the moon in a dream, or someone to the moon, ringing the bell, he wanted to draw your attention.

spends a day. The hand light brings tears to the enemy a few inches of soil.

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HONESTY 'OF Moloch (or) of the Blessed nientitudine -14 -

sion. division of tasks. Homework.

I have always tried, during my long life ... Or short. I'm not sure how much time is really my life, even if it is continuing, so that when we say all my life and that's it, or precess existence, I have always tried, I said, to warn others of my latent duplicity and deceitful. I tried to alert them, make them part of what I thought I knew of me: non sia mai che mi prendiate per agnello se poi una mattina vi doveste svegliare accanto ad un lupo. Continuereste a trattarmi come il mite ovino, dicevo loro, non vedreste oltre ciò che vi è sempre sembrato essere me, non capireste, tentereste di pascolarmi felici e contenti finendo per ritrovare voi e il vostro gregge sbudellato, dopo quell'attimo di indifesa (oh,che) sorpresa (!), la sorpresa di sapere di star per essere sbrindellati da un pacifico ruminante. Neanche dopo che sarete stati sbranati da un agnello, forse ammetterete che quello che pascolavate era un lupo, una iena, uno sciacallo. Possibile che non ve siate accorti? Questo dicevo loro, li volevo proteggere dalla mia latente doppiezza, dalla paura d'essere scambiato per that I who was not at that moment, taken for the usual, just to the shape of my shell. Never sbranai not to attack, it must be said and nothing ever happened like that because, I believe, slowly stripping me that I was not but I could be diluted in the other I ended up getting that reigned on the case. Yes, that's the prevailing belief I have designed this plan, just in order to make the other harmless simply revealing, so without ever giving him the possibility of having fifty percent plus one of the members who ruled my actions. All this I mean to make it clear to you how everything was unclear to me even then, then, I mean, when I was immersed in another state of things than this. A stage where I would go to things and now things are to me. All that remains in common with me that time is my habit - occasional, on the other - armed to descend down inside me, looking over the abyss, the monsters that pop my dreams in order to break down, I do not know if you still continue to do so, the dreams of today do not remember, or maybe you even remember this, but I still get down there to avoid misunderstandings. All the way down the road find the same things, now as then: the rotting bodies of my parents, my friends, my pets, of man as shepherd of the gods buried by my antenati, del cielo ingoiato dal mondo ma ancora non digerito, dei raggi del sole. Mi tengo ancora un istante aggrappato con poche dita alla protuberanza ancora non distaccata dei cadaveri del giorno e della notte, poi mi lascio cadere e finalmente atterro (sì, lo so, non si dovrebbe dire atterro), ma atterro nel profondo del mio io, armato fino ai denti, dicevamo, fendo colpi a destra e a manca, nel buio, alla cieca, colpisco qualcosa, corpi duri e molli, li sento cadere, gridare, morire. Ma ciò che discende per uccidere non può poi più risalire: rimane, fino ad essere disarmato della spada ormai spuntata, fra i sopravvissuti di quel raid che ne fanno uno di loro, incattivito. Va ad ampliarne le schiere. Ecco, le comparse che rendono incubi i miei sogni sono i miei soldati, valorosi ma pur sempre sconfitti in battaglia, che si vogliono vendicare del loro generale che non li ha saputi riportare a casa.

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WINTER DAY - LAST DAWN: ACTION! 2 / 6

Quando si ritrovano sono in strada e camminano fianco a fianco, in silenzio. Fuori, dove stanno ora, è notte vera. E' buio vero, sempre che anche qui non sia solo tutto finzione, ma una grande finzione, una finzione universale, un luogo dove accade che la luce venga spenta e non sai da chi, non sai come. Non sai nemmeno se sia pure la stessa mano, poi, che riaccende quella luce o un'altra, o che queste siano forse in lotta, e che possa accadere, un giorno, che una mano abbia la meglio sull'altra e sia sempre buio, poi, o sempre luce.

Prima o poi, questa guerra avverrà. O forse è già stata combattuta da tempo e la mano vincitrice, conquistato il potere di quella perdente, inscena in continuazione la notte, o il giorno, che non gli appartengono. Noi non c'avvediamo della differenza. Verrà un giorno in cui questa finzione cesserà, perchè la mano vincitrice vorrà mostrare al mondo il suo trionfo.

Scivolano fuori, insieme, dal vicolo stretto addossato al teatro. Gettano, seppur nel buio, un poco d'ombra. Questa is getting darker the more approaches the gleaming road that crosses their path at the end of this close before, part of the trip short. A few meters from the intersection, jumped on the sidewalk along the great road, holding hands. It is a demonstration of affection, is an instinct. Their skin mute hears the words that come from the skin of others.

And while people will discard them and people indifferent indifferent waste, scrap, in artificial light, between persons to their homes.

Their homes are in the city, like all the other houses. Yet the world that the host is not so great than what they hide in their walls. And nothing compared to the narrow boundaries of their hearts.

We see them, still walking together. Now she is close to his arm. It is not love: it is practical. Slip off more easily among many people. It feels less cold. One thinks of the theater, the scene of the embrace.

He keeps hanging up and look at his mock alert. It must seem to someone to whom it may concern, among those the cross, that he protect her under his wing.

But it has no protection, he, as a offer, and did not, of course, not wings. The remains just a little 'heat. And his movement is just fiction.

separate, finally, to yet another crossroads, silent, with eyes greeting, salutation, but that is not just looks, it's only polite leave, it's just: I see you go, you now-only-memory of a goodbye.

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WINTER DAY - LAST DAWN: ACTION! 1 / 6 Veterans

He is still, straight, his head bowed. Maybe my eyes are closed. While she, she ... the walking around, without pause, without fatigue, tenendogli eyes always on him, as with us the moon. Closer and then come talk to him and brushing her lips with eyes, mouth, chin. Definitely breaks down the natural barrier of respect which was always, necessarily, existed between her pupil-teacher-and-him-.

him he looks like a broken tree, lifeless. Stride and how, the contrast with the bottom, we want to remember the joyous arrival of spring. He looks like a plant that can not be aggregated in that cycle of rebirth.

But she is vital part in this change and its concentric orbit seems to us the dance of a vine, ready to close the path, ready to extinguish that last breath of life hidden in the trunk broke and dying, crushed, sucking the sap forgotten. Transforming it.

light, perfectly balanced on them, but only makes her shine. He absorbs it, it already seems a dead thing, it feeds on despair.

She finally said, speaks to him. Indeed. Whispers. It 's so close to his face that's almost enough to blow the words senz'emettere sound. And he is not sure whether these words really able to hear them in some way or not but somehow decrypted and translated from his own skin, moist heat of that silent breath, and able, somehow, to read and interpret the shape.

The sun knows that our planet's talking about. But the prayers that rise are trapped, trapped in the sky. Reached the peak of their rise, fall to the ground, becoming terrible curses and blasphemies.

She whispers

"Master ... you do not tell the whole truth ... "The bottom

remembers only the spring. It 's a symbolic backdrop.

"Or better ... I told you the truth, it contains also the path of its own negation. "

He still does not move. Yes, he says, because it certainly is, its an act of the great strength, and endurance.

"Master ..."

stroked his hair, now, uncombed. Then brush up against her cheek, and lips. His hand stroking down his neck, then tighten the shoulder.

embrace it.

Here.

The vine finally suggested last sap of the plant. The strangles, puts to death. But only symbolically, of course. As the spring painted on the backdrop.

From the darkness, suddenly, came a voice. E 'shouted. So unpleasant, undesirable, but apparently inevitable
"Okay, that's fine for today. We're done, see you tomorrow at the usual time. Thank you, goodbye. "

They feel, in the dark, walk away.

remain, they, instead, as well, hugging, or rather, she embraced him, that still did not lift a finger. And someone off that last light on them, and painted on the spring. That plant and its climbing in total darkness disappear.

The smell of dust that comes from below.

remain, their, real estate, there, in the middle of this dark world.

Here at last she moves away, takes a step back and behold the "master". She looks at him for a long time, being able to really just remember the details and being able only to guess the shape in the darkness. Without a word, walks away. He shakes his hearing in his footsteps. Raise your head, turn his back on those sounds and he goes, leaving empty that night.

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All is lost,
except the smell.

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HONESTY 'OF Moloch (or) of the Blessed nientitudine -13 -

equa.equa subdivision. Division of tasks.

Eden of Adam and Eve lived in black and white. Yes, I'm sure. Wrapped up - this is the reality, let me confess it - from within the dense fog, comfortable as cotton, lived alone and happy, oh they had no social aspiration, no ambition carrieristica were just a happy couple, clashing here and there to infinity garden, then smarritisi they found themselves on the strength of their voice and their ears, pure, intact and with a great sense of direction, they saw neither day nor night if they were all happy until they arrived in the infinite instant snake. But it was not then transgressions to the diet, how did I know, let me tell him. (Never mind that in any way, without a sewer system would still not have gone too far). The serpent convinced Adam to give a rose to Eva, a beautiful pink, red, stuff never seen it, who knows where he went to find her, that Satan, well, that pierced pink Eva ... the blood was to color our world, the blood was the sin original, there is nothing that is more disliked by the gods who do not gush of blood, well here is the expulsion, and here are the children. Cain, who was angered by the treatment received by his parents, he decided to turn to other gods, was one, that Cain, whom he loved very much the colors, and to persuade them to accept new gods, they sacrificed something. Not a thing, not a carrot or a goat. He offered a burnt offering nothing less than his brother. Then here is that Christ did: to clear the blood of Eve and Abel, who had seen the light pro unworthy of other gods, that God shed his blood. That covered the deception, fraud, paganism, the colors. That's why siam tornati qui in bianco e nero, immortali.

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AT ALL COSTS - Press release

Quando si parla di cinema italiano spesso si ricorre ad una sorta di “muro del pianto”: pochi i soldi, pochissime le idee, il sempre più tardivo ricambio generazionale, la poca internazionalità dei lavori in circolazione. Tutto vero, per carità. Se però si ha voglia di spostare le ceneri della nostrana settima arte si può scorgere una piccola brace, non soffocata, che brama semplicemente un poco di ossigeno per diventare fiamma e forse anche fuoco. L'associazione La pecora elettrica ha deciso di soffiare su queste braci per provare ad appiccare un po' di incendi. A partire da metà marzo al Cinema Verdi di Candelo organizza la rassegna cinematografica: "At any cost .
The exhibition consists of three film sets out to explore the Italian cinema of recent years. Selected titles are little gems that have passed in the halls or have not yet found distribution.

The exhibition opening is scheduled for March 23 with Man of Match Marco Chiarini. In his first long work, Chiarini tells us the transition from childhood to adolescence with a tale that takes place in the summer, ideal where each of us has put the games and began to discover the melancholy. The fate of
Man match and Peter cross the path of auto-production: if Gaglianone close calls him a series of long-time friends and associates to give shape to a project "completely independent" Chiarini produced a booklet with illustrations and the history of film and, by selling 3000 copies, ensures a very small budget to start with the crucial help of the film club of Teramo, for an adventure that will last more than three years, including filming and production. The

April 27 aims MalediMiele of Marco Pozzi . The film goes to fathom the dangerous vortices distorted by a mental illness such as anorexia. Pozzi, in a recent interview, said: "In the society of so-called welfare widespread, there is someone in the heart of the West that is triggered as if it were a suicide bomber and you implode, blowing up the contrasts and the malaise of society itself [...] I think the main problem is in true beauty, or we must try to rebuild a world where there is room for beauty and not for replication of beauty, a world of replicating all conformed "Even
MalediMiele has a difficult production history, not yet completed, pending as of a distribution that makes the enjoyment of the film accessible to the general public.

The closure of the exhibition is headed by Peter d the Gaglianone Daniel, in the projection May 25 . Born in 1966, Gaglianone made his film debut in 2000 with Our years later turns even the fate which won the Rotterdam Film Festival in 2005. In 2009 he was awarded the David di Donatello for the documentary Rata NECE biti!
In November of that year, director Peter Turin runs in just 12 days, which debuted on screens in the following year at the Locarno Film Festival. He writes in the notes the director of the film: "Anger, tenderness, fragility and violence. These are the four words that emerge when I think of Peter , a film born of different situations and their suggestions, some very personal. It was a difficult time, I was not doing nothing, and they told me I had to be less radical in their choices of stories to tell. So, in response, I wrote the sketch of Peter : a hard film that comes from a tough situation, from people I know, fragile, invisible, that this society does not want to see. But that can become time bombs ready to explode. "
evenings, all at the Cinema Verdi Via M. Well 2 in Candelo (BI), will begin at 21.30, with input set at 5 €.
Each film will be accompanied in his room directors, producers and actors.
After the screening there will be an opportunity to speak directly with the cinema who does it and it produces very spesso di tasca e di braccia proprie.
Un cinema sicuramente d'impronta autorale ma godibile e lontanissimo dal far trasparire la limitatezza dei propri mezzi.
Un cinema che vuole parlare ad il suo pubblico. Ad ogni costo.

(Cliccare QUI per scaricare la versione stampabile del comunicato)

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OXIDE He peered

Non c'è molto del mio spazio
che sappia d'altro
se non d'un oscuro incedere.


Poco del mio tempo odora di qualcosa
che non sia polvere,
che si colori di qualcosa
che non sia notte.


Poco altro segna la storia,
riveste la pelle del mio sacco
che non sia freddo, gelido, insensato,


Free
empty.


My hands caress abandoned
absences that this model nothing

these forms and I I play, I play,
impregnates me,


smiling .


are many, those
me that there were no
tonight tonight tonight

tonight.
I do not know which side to wear,
tonight.




Non c'è molto sulla mia strada
che non odori della
caduta,
l'immancabile veste
d'antica ruggine,
un paio d'occhiali, 
un filtro,
per un ossidato scrutare.

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HONESTY' OF Moloch (or) of the Blessed nientitudine -12 -

plateale ingiustizia. ingiustizia equa. Equa suddivisione

Imix era una brava persona. Credo. Aveva noi tre come fratelli adottivi ed amici. Aveva sei genitori vivi e due morti. When we bought the other a lamb, he was the lamb of all. It was the first to have a woman, the first to marry, the first to have a child, the first to die. It was also an early type, as they say. Who was I to him? I was a friend, I was his brother. And the night. But this could very well say it for everyone else. Rather, the bulk of the problem, if it is a problem, is that I do not know who I am for me. Or why ask me all the time, or why nobody wants me to come and speak. And not to ask: Akbar! Who are you? What species are you? Who are you to us, and we are for you, anything? E: Imix was it for you? A brother, a friend ... It was really pitiful how they died her. Fell off a cliff chissadove, doctors were unable to move up in time, you know, within an hour you back to life anyone affected organs are replaced by new cloned bodies, there are those who died a dozen times before finally making the soul. It was so hard Department ... It was left. He came back, we clung. But if you fly down and do not recover, stay there. There's nothing to do. It 'no use crying to cold bodies through the fog, make you ... Are far away, tiny. They run away fast, invisible, already out of reach. Are no longer, now in a place where you can riagguantare. Perhaps this is the place where I am. Are at the bottom the ravine. And on the run. Yes, I have broken my neck broken nails are all dead and bright as a meteor and my glowing trail cuts through the sky burn above the milky white against the run through the space dream that I look like inside a mailbox and instead are far as the stars, as the fence - oh, there will be a wire - a trail of shit that takes me to the stars - the pianopiano would follow, Step by step - through the endless icy space - infinity - so cold - the houses are not too large never been hospitable - have never quite heated - Arianna is a wire - the wire has Arianna - the center of the labyrinth dance - the animal half man lies asleep - the filthy beast wants the thread, does not want me - non ama il labirinto - ama Arianna - segretamente - e forse da lei vorrebbe un figlio solo per un quarto bestia - è solo perchè l'uomo ha un corpo - l'animale è un corpo - il filo è rotto - spezzato - insanguinato - dove sono Qui ed Ora vedo tutte le cose - le cose mi parlano - non interrogano - che brava persona era Imix - meglio! non avrei risposte per loro - che peccato averlo dovuto ammazzare. 

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THE BOOK RECOMMENDED 2 / 2

T.MANN : 

CONFESSIONI DEL CAVALIERE D'INDUSTRIA FELIX KRULL

(1954)

4 – FORSE HO CAPITO MALE, È UN LIBRO DI FANTASCIENZA.

Per non dire del concatenarsi degli eventi che rende la trama di quest'opera più inverosimile del peggior racconto buttato giù dal peggior scribacchino di fantascienza. Certi collegamenti, inoltre, sono talmente casuali ed assurdi che l'autore non s'è preso neppure la briga di sostenerli in qualche modo o di cercare delle vie traverse credibili per condurci allo stesso risultato. Solo qualche esempio:

• gli cade nella valigia un bauletto pieno di preziosi: in albergo non finisce in bed with the legitimate owner of those objects? Thank God the old is a bit 'out of my head, and the full enjoyment of our young hero goes to rob her of everything.
• already, no one knows how, nobody knows why, after meeting with the teacher on the train mezz'innamorato the daughter he never saw and behold look just arrived in Lisbon enters into a coffee table and the first boards that is not enlivened by the trio just happened proprioproprio-edellafigliafidanzato wife and daughter of the professor?
• without forgetting that Zouzou - this is called the daughter - it reminds him so much (although then comparing informs us that do not resemble at all) Zaza. Of which, of course, was enamored, ça va sans dire.
• must take a trip around the world with an identity stolen, then the password must be low profile, do not let us out, and, as a debut, to remain in the shadows can be received in audience directly from the King of Portugal.

Etcetera.

5 - EXTRACTS AND CONCLUSION

" then will finish together," replied the lady, "this walk. This has affected the visit? "

“ Estremamente! L'ho goduta in misura indescrivibile. E sento in me una certezza: questo godimento non sarebbe stato così intenso, la mia recettività per le impressioni offertemi da Lisbona (impressioni di cose e di uomini, o per dir meglio: di uomini e di cose) non sarebbe stata per la metà tanto intima, senza la preparazione concessami da una sorte benigna nell'incontro durante il viaggio e nel colloquio col suo veneratissimo consorte – seppur si può parlare di colloquio dove all'uno spetta solo la parte dell'ascoltatore – senza quell'allenamento paleontologico, se mi posso così esprimere, che il mio animo trasse dalla sua dottrina divenendo terreno entusiasta ed aperto a nuove impressioni, quelle della razza, l'esperienza della razza primordiale, cui furono conferiti da epoche disparate contributi di alto interesse e che offre all'occhio ed al cuore l'immagine della più alta maestosa dignità del sangue...”

(…)

Insomma, parlai splendidamente e le mie chiacchiere furono accolte con animo benigno.

Che aggiungere? Un povero lettore spera che il protagonista, ormai lontano dagli sguardi (è finito il film, è morto lo sceneggiatore, la sala è vuota), trovi finalmente, almeno in Argentina, where, accustomed to the cows and the harshness of the Pampas, a young native who successfully put an end to the suffering of all of us with a compassionate withdrawal. Since, here in Europe, girls and ladies (good) family could not find better than to kiss him, to silence him.

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THE BOOK RECOMMENDED 1 / 2

T. MANN:

CONFESSIONS OF THE KNIGHT OF INDUSTRY

Felix Krull (1954)

1 - TRANSLATION OF TITLE

The novel Thomas Mann is entitled: "Bekenntnisse des Hochstaplers Felix Krull", which although not a native speaker German, I feel I can translate - without venturing too - with stuff like "Confessions of FK crook." Now ... I do not know the history, development of the story, nor the existential journey of Italian translators, who have excuses but hidden by a solid foundation, but ... "Confessions of FK knight of industry", chemminchia I mean? Whether the original title also gives me an idea of \u200b\u200bthe story I'm about to find in the book: FK is a fraud, to begin with. It is not a knight of industry. Unless you intend to scam the industry. However I do not understand this thing. Sometimes I think you make concessions at the time to translate Italian in a title, for commercial reasons. To make a book more attractive, sexy with a nice title. What the hell can I interest myself, I do not know anything about the book, to get close to it thanks to the confessions of a knight of industry? Much more naively would find more enticing to read the confessions of a fraudster. Or is a surge of honesty of the translators. They have sought the ugliest title that came to mind immediately understood why the player to stay away from this book. There.

2 - an affinity '(not elected) WITH SOME CHARACTER OF GOETHE.

The feeling, per il lettore, è che ci sia un'affinità tra questo F.K. ed un certo Werther d'un tale Goethe. Mi spiego. Werther è introverso, depresso, romantico. E'un figlio dell'ottocento. Cerca in sé la bellezza che lo possa condurre alla salvezza, ad una verità. F.K. è invece, chiaramente, estroverso, passionale, istrionico. Cerca la bellezza intorno a sé, nelle cose e nelle persone - soprattutto nelle persone - che lo circondano. F.K. è l'uomo, per bel che sia nel suo reame , e Werther dentro non è che lezzo e budellame . Werther non ha nessun successo con le donne, anzi, costoro lo scacazzano al meglio con infastidita indifferenza. F.K. se punta una donna, at least give him that, his mother and sister as well. There. Where is the affinity that the reader feels in reading these two novels? That for both players, want the same thing for Werther, who is introverted, said, calling the suicide, FK, outgoing, does nothing more than to wish that someone killing him. Death sentence, in short, for both (and also for plagiarism Jacopo Ortis). If someone did that out before page 300, among other things, would make the story complete. Finally, do not want to say that Goethe was able to satisfy the reader and not Mann, gives them the doubt that has not had the time. FK that should have been 1300 pages long of which the last 300, Blues Brothers style, with all cheated in the world who follow the star up and down to Patagonia to kill him. And the last page can not. Much to everyone's satisfaction.

3 - THE ROMANCE OF DE-TRAINING

With "training" is commonly understood generally that kind of novel where the protagonist, during the narration, shows a spiritual growth, physical , intellectual. Increases his wisdom and his ability to stay in the world. As Dedalus in Joyce, for example. Stephen Dedalus is a teenager, grows, goes to school, broom, has a mystical crisis, then thinks better of it, he discovers che è tagliato per l'arte, lascia l'Irlanda. F.K. è tagliato per l'arte della truffa, direte voi. Nella sua crescita si rende conto, come direbbe qualcuno, che il mondo vuole essere preso in giro e lui si accorge di non saper fare altro. Ma piuttosto, per tutto il libro, non è altro che circonvenzione d'incapaci, quasi tutti i personaggi che lo circondano, colti, pieni di spirito, acuti, solenni, o quel che si vuole, si rivelano poi di fronte a lui, degli ebeti totali. Non ce n'è uno che non si faccia infinocchiare da questa faccia da culo, che senza troppe sofisticazioni, se li rigira tutti. F.K. non ha nessuna crescita, durante il romanzo. Impara soltanto come un pappagallo a ripetere in continuazione quelle quattro cose che she licked around and no one can contradict him. Well. Novel strain of Thomas Mann and his readers. FK as Thomas Mann and his readers as incapable.

Jenna Jameson Outside

IO AND BBESTIE - notes on life with pets and not

-1 -

When I was little I thought that cats and dogs that lived with me, had a conscience rather poor - but very creative - of his being. I thought that they, yes, they knew to be four-legged things with the mustache who hunted birds and mice gnawed bones or jumping, but that, living so long with us human beings, still believed be in a transitional phase. I imagined them to think: in a little 'stretch the legs of me behind, I check a toe, before I feel legged out an inch, then I lose all this hair and I get naked and pink. And then I have to buy clothes because I become like them, the duozamputi. Here, then, I thought this was a child. Yeah, ok ... Perhaps a bit, I'm lying. That is, it is true that I thought was a child, but maybe a little-little, I believe it even now.

The first memory I have: I I look in a mirror in her grandparents' house. I must have been two years? Less? More? Mah? Anyway: who can deny that the first six months, age can not remember anything, I was not a beautiful cat?

thank those who have no thought "to the limit, a nice kitty."

Incesto Gratis Italiano

HONESTY 'OF Moloch (or) of the Blessed nientitudine -11 -

but or blatant. blatant injustice. Injustice fair.

Our love for these lambs had become something so obsessive that my parents will not endure the hassle and decided to buy us (me and Imix, which was on duty at my house) a bell'agnellino. We kept him in the garden, tied to a tree trunk with a long, long thread. When went to find him, in fact, I Imix and he left his house we were immediately in front of the trunk, then, from there, instead of following the hunt as we used to do, following the thread. It was natural to call quell'animaletto Arianna. Hugged him, kissed him. Loved it. He was a lamb cloned, genetically modified. Until the last was always small, never became a sheep or a ram or a IRCO - we were missing! - Or a sheep or lambs chissacosaiddio become non-genetically modified, as adults, when they can. From birth until the death, was always the one who was, as was his pater-clone and how they were all his brothers-clones around the world, including, perhaps, why not? those who saw the man go through. All this group of animals was more of a family, a kindred. They were all the same great being, crushed and distributed in countless bodies ... But Arianna was Akbar, he recognized me, and Imix, and my parents and my smell, my caresses, our voice. The other lambs, no. None of the people of my generation never saw what it could become that animal, as they age. Maybe we were not even the same race, I and my friends? Or perhaps, simply, we're not all like that? Maybe. But now I feel - today - to belong to another great, new family, invisible, unknowable. Exterminated. Without you - really - no idea of \u200b\u200bhow it is related to me. Without being able to have any relationship with the other members of my new species, each other as far away as the stars. Out here in the cold space ... To see them (the stars) I climbed up a tower. Soared, magnificent, incomprehensible, above the fog. It was accessible only at night. It was not possible, nor advisable, sun exposure. Swept by a steady wind, breeze, which seemed to push the aldifuori moon in the sky, was one of my refuges. She was my den. Hidden. To light. That was.

Blood In Mucus Right Before Period

The Scorpion and the rat

SCORPIO: Noble rat!
rat: Eh? I?
S: Yes, you! Oh noble rat, I m'appelle you!
P: Oh, hello ... or scopione. Chevvoi?

S: You see? The tears of the gods so profusely scattered about our sad earth have made it overflows the stream of habit that I ford without difficulty or danger to take me on that hill where I live.

P: E '' na bad thing ...

S: So now I request you, oh noble rat, to lead me safely anchored to your muscular back through perilous waters, then you will be generously compensated.

P: O scopione, were we are, already know that by waterways m'appugnalerai you with your pungillione velenoso accoppandomi! No! No e no!

S: Se tu non t'assumi codesto alto incarico, sappi oh Pantegana, che immantinente io attingerò in te il mio veleno, e non meditar fuga, ché non riusciresti certo a sfuggirmi, pingue pellicciotto!

P: No!

S: Zitto o t'ammazzo! E prendimi sulle spalle nerborute!

Giungono così a metà del guado.

S: Oh nobile Pantegana, perchè dunque affondiamo, ch'ancor io non t'ho punto punto!?

P: Che perchè I can not see.

S: All of the sewer rats, it is true, are excellent swimmers that I know of.

P: Well, I did not.

S: Ah.

P: That's it.

P: What you mean with that "still"? I would point the same, eh?

S: Yes, because of my nature so cruel.

P: So sarebbimo affoggati the hostess?

S: Of course.

P: And yet I do not bite you now, to avoid the soferenza anegamento?

S: No.

P: And why?

S: Because of my nature so cruel.

P: Ah.

S: There.

S: Of course ... As they cry, 'sti gods ...

P: Eh, yes.

S: Yeah.

Morono.

Scott Kay Artiste Collection Helzberg

HONESTY 'OF Moloch (or) of the Blessed nientitudine -10 -

atonic. Platonic but dramatic. Blatant injustice

fact, even where they are here, or maybe better ... Now I'm alone and separate. The people who go see, or rather, people who look at me let me stay to rebuild only an incomplete picture of the place where I find myself. Or the moment of my life I'm living. I do not know if a place or time are compared to those who attend them, or yes, I know for sure and I only reasoning a little better. Here, those worthy of my own, I see how it looks inside the box to see if there is mail. Then someone speaks to me, but as you do with children. I reply. They incorporate inconsistent with what I said. It 'obvious. I do not understand. It 's the usual speech: my kind of communication must have an edge. I do not stand behind. Maybe they will be to bury my corpse? Yet it seems to me too much time has passed now, since I reached this state of affairs. It does not seem to stink. Or rather, I do not feel any smell. That time has passed I infer from the fact that sometimes I seem to be able to sleep and to dream. The dreams, however, we know, are not as reliable as the calendar. I'd better point out that where I am, there is no fog. This is indicativissimo that we are still in an enclosed space, then exclude some of the assumptions made at the beginning of my narrative. Unless we are at a high altitude, this would undermine also the place pool and the initial assumptions ... But as far as we can be at the top, I do not feel any cold. Well, do not even feel warm. I'd say all in all I do not feel anything like that. I'm mean I'm good or very bad? Add this too: what I see, I see how the horses. Well, I mean ... I do not know what to see the horses, but I know how, only straight ahead. So the people I see move, although there is no fog, I can follow with their eyes up to the time when I cross the horizon, such as lambs and as the fog from the fog in front of us. Behind I did not see then. I do not see anything now. Yet there is something there, too, there is also the life my shoulders. It 'possible that the whole world has gathered in front of my eyes, then as now, behind my back and everything is dead? and the moment when he was alive and active, unique?

Cool A Perminant Magnet To Absolute Zero

DE LEAR-HUME, No.3: ATOMS DANCERS

I do not think that this morning the dawn will be able to ennoble outline the contours to give a decent tone when I wake up or that the sun beating down on things and then save all the greyness of my actions so I am going to try A witness who speaks to me of my best side.

The search will start from the center obtained by hard lines converge from all points of my frame, for obtaining more than an average of all colors and all the words assegnango simboli specifici ad ogni singolo atto o movenza o cenno o piega. Questi segni si andranno a sovrapporre formando l'inequivocabile immagine del mio agognato testimone.

La bionda periferia reclamerà per l'esclusione, ma i miei impuri pensieri la ricacceranno nel limbo dell'io mio più modesto e silenzioso. Anche in questi ambiti così interni così intimi vige lo stato di polizia e se la minoranza è minoranza ed oltre tutto si mette anche a rompere le palle, va schiacciata, va fatta tacere, va convertita alla corrente principale, per dio, va fatta trionfare la Democrazia!

L'edificio più modesto situato casualmente fra i ricchi ed alti templi Breath thought, feeling, and then turns out to be the most expensive to manufacturer. From the hall, in fact, with the windows open can enjoy the current tension in the air vibrate ideas sounds of words you collect, then expand as bright circles on the water - it does not take much to make a man happy.

The main course, then, festive decorations, at first, our architect immalinconirà more accustomed and more comfortable environments in the dark and collected, giving more to his words echo the most insignificant. So the best wood for him, just outside the city, possibly a low sky. Focus on the nebulous but rational thought.

The spontaneous dance of the atoms of my all jumped in the ring of sentimental thoughts adult adultery adultery (not thought of betraying a child to rot) and suffers a bit at each stop 'the stillness that is certainly not for these dancers Barrels (do not know, but will not serve them nor beat, nor pop, nor the hitchhiking) will launch on track boulevard crazy crazy love hating sleep at a certain age will stun them continue to dance, it certainly does not lack the breath .

Adult - Adultery - Adultery

... to betray, to rot ...

As a child I could only draw a home so now things are much better, even I can do with computers, I had a little 'patience and the right software I'd need anything even to draw a new brain, space for free thought on the garden area metereopatica tavern visions of voluptuous kisses kitchen.

How Do You Say Spend Your Vacation In French

TRETE TRETE-A-4 / 4

"Now ... I want you to choose it based on your behavior, your words. What I want from my man is having a super brain. "

NOOOOOOOOOOOOOOOOO!

** You did not think so last night ... eh ... eh ...**

(What talk-think-the same night? Which Witch is the Marsh as well as bigamy, too slippery so ubiquitous?)

They are silent. Maintain the balance. And a move to compromise.

"Or you cut me in two"

The look of the contestants falls rapidly with amazing resolution on the knives from the rounded tip. The vision discourages them.

Then reflect on the meaning of mutilation. Vertically? If it were horizontally Grendel would have a preference. If it were diagonal, there would Beowulf. In fact, the phrase draws Swamp Witch in biblical wisdom: it points to the sum Solomonic solution. Waits for someone to say: "Rather than see it cut I leave to you" and then reward him with his love. Then you know, love wins in escapes.

NOOOOOOOOOOOOOOOO!

"" Rather than see it cut I leave to you, beGoRwENuDElfL! "

Proof intellectual ends as a draw.

"No, you take it." "It 's yours."

"I do not want"

(She) .* * I was afraid this

"It sucks!" "Save it and brings about the plague in your house"

"What you did and you dry your heart!"

E 'time of physical evidence.

"Guys, beviamoci coffee. As four friends at the bar "

We were four friends at the bar

who wanted to change the world.

"We'll call him probe. Dondo? "

Said one of us.

Who was the fourth? The spectrum of a singer with the blond mustache and the bullet in his heart, was hovering between them. Who was invited? Who was the child that grew in the belly of the Swamp Witch? (Note to the reader in a loud voice for the last part uses an emphatic upward.)

Then the pretty lady stood up again, to bring the coffee.

The physical evidence consisted of mixing the cafe a few grains of poisonous dust-killing bulls and influence under the saucer, so that you could see but that trigger their occult power, however, some magic symbols at random and taken from 'effect unknown. Empirical occultism.

These are the rules: the poison is enough to kill someone. At worst (not that has to do with the pasture), one of the two would go to the gastric lavage, or better, gastric lavage would have gone for him. Through it. Well.

Time: If the other, healthy, heroically taking it to the emergency room, he had not (unintentionally) beat or beat rattling here and there would have been chosen, because his strength was in the service of the weakest. If the other had left the hospital without bringing the curse or doom, or ranting against the suspected coffee flavor, sarebbe stato lui, invece, il prescelto: non la forza ma la nobiltà. Che piacere averlo vicino, pensava Strega, al suo capezzale, accarezzargli i capelli e tergergli il sudore della febbre estiva che gli segna la fronte. Un onore.

C’era una volta una gatta.

Questo soffitto viola non esiste più.

La gatta ci cadrà sulla testa.

Se il forte non avesse malmenato ed il debole non avesse maledetto, o se il forte avesse percosso ed il debole inveito, Pari. Per l'eventuale test tie drawn sabers were ready under the sofa.

However, a sip was enough to keep the two young men dead as nails.

NOOOOOOOOOOOOOOOOO!

Fourth test.

The spectrum of the two will not be in a dream to the Swamp Witch in the next two weeks to curse it, has been the man of her life.

past: two Sunday, two Monday and two Tuesday and two Wednesday and two Thursday, two Friday, two Sabbaths. In that order.

It was not just to the Swamp Witch to understand that this was not the way to understand the exact count of two weeks. In fact, he perceived, he had spent fourteen. However neither of them had appeared in the dream and that was enough.

Fifth test.

He understood from the face of the unborn child, what was the father, because Nature never deceives a mother could bring cosìdiconseguenza ecceteraeccetera and chrysanthemums on the grave of man to whom she was-well-let's widow potential. Another the shame forever.

Another five months passed from the count of weeks and was born a young pig healthy and pink, similar in all respects to the Deus ex Machina. She fe Death baptized there.