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HONESTY' OF Moloch (or) of the Blessed nientitudine -12 -

plateale ingiustizia. ingiustizia equa. Equa suddivisione

Imix era una brava persona. Credo. Aveva noi tre come fratelli adottivi ed amici. Aveva sei genitori vivi e due morti. When we bought the other a lamb, he was the lamb of all. It was the first to have a woman, the first to marry, the first to have a child, the first to die. It was also an early type, as they say. Who was I to him? I was a friend, I was his brother. And the night. But this could very well say it for everyone else. Rather, the bulk of the problem, if it is a problem, is that I do not know who I am for me. Or why ask me all the time, or why nobody wants me to come and speak. And not to ask: Akbar! Who are you? What species are you? Who are you to us, and we are for you, anything? E: Imix was it for you? A brother, a friend ... It was really pitiful how they died her. Fell off a cliff chissadove, doctors were unable to move up in time, you know, within an hour you back to life anyone affected organs are replaced by new cloned bodies, there are those who died a dozen times before finally making the soul. It was so hard Department ... It was left. He came back, we clung. But if you fly down and do not recover, stay there. There's nothing to do. It 'no use crying to cold bodies through the fog, make you ... Are far away, tiny. They run away fast, invisible, already out of reach. Are no longer, now in a place where you can riagguantare. Perhaps this is the place where I am. Are at the bottom the ravine. And on the run. Yes, I have broken my neck broken nails are all dead and bright as a meteor and my glowing trail cuts through the sky burn above the milky white against the run through the space dream that I look like inside a mailbox and instead are far as the stars, as the fence - oh, there will be a wire - a trail of shit that takes me to the stars - the pianopiano would follow, Step by step - through the endless icy space - infinity - so cold - the houses are not too large never been hospitable - have never quite heated - Arianna is a wire - the wire has Arianna - the center of the labyrinth dance - the animal half man lies asleep - the filthy beast wants the thread, does not want me - non ama il labirinto - ama Arianna - segretamente - e forse da lei vorrebbe un figlio solo per un quarto bestia - è solo perchè l'uomo ha un corpo - l'animale è un corpo - il filo è rotto - spezzato - insanguinato - dove sono Qui ed Ora vedo tutte le cose - le cose mi parlano - non interrogano - che brava persona era Imix - meglio! non avrei risposte per loro - che peccato averlo dovuto ammazzare. 

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THE BOOK RECOMMENDED 2 / 2

T.MANN : 

CONFESSIONI DEL CAVALIERE D'INDUSTRIA FELIX KRULL

(1954)

4 – FORSE HO CAPITO MALE, È UN LIBRO DI FANTASCIENZA.

Per non dire del concatenarsi degli eventi che rende la trama di quest'opera più inverosimile del peggior racconto buttato giù dal peggior scribacchino di fantascienza. Certi collegamenti, inoltre, sono talmente casuali ed assurdi che l'autore non s'è preso neppure la briga di sostenerli in qualche modo o di cercare delle vie traverse credibili per condurci allo stesso risultato. Solo qualche esempio:

• gli cade nella valigia un bauletto pieno di preziosi: in albergo non finisce in bed with the legitimate owner of those objects? Thank God the old is a bit 'out of my head, and the full enjoyment of our young hero goes to rob her of everything.
• already, no one knows how, nobody knows why, after meeting with the teacher on the train mezz'innamorato the daughter he never saw and behold look just arrived in Lisbon enters into a coffee table and the first boards that is not enlivened by the trio just happened proprioproprio-edellafigliafidanzato wife and daughter of the professor?
• without forgetting that Zouzou - this is called the daughter - it reminds him so much (although then comparing informs us that do not resemble at all) Zaza. Of which, of course, was enamored, ça va sans dire.
• must take a trip around the world with an identity stolen, then the password must be low profile, do not let us out, and, as a debut, to remain in the shadows can be received in audience directly from the King of Portugal.

Etcetera.

5 - EXTRACTS AND CONCLUSION

" then will finish together," replied the lady, "this walk. This has affected the visit? "

“ Estremamente! L'ho goduta in misura indescrivibile. E sento in me una certezza: questo godimento non sarebbe stato così intenso, la mia recettività per le impressioni offertemi da Lisbona (impressioni di cose e di uomini, o per dir meglio: di uomini e di cose) non sarebbe stata per la metà tanto intima, senza la preparazione concessami da una sorte benigna nell'incontro durante il viaggio e nel colloquio col suo veneratissimo consorte – seppur si può parlare di colloquio dove all'uno spetta solo la parte dell'ascoltatore – senza quell'allenamento paleontologico, se mi posso così esprimere, che il mio animo trasse dalla sua dottrina divenendo terreno entusiasta ed aperto a nuove impressioni, quelle della razza, l'esperienza della razza primordiale, cui furono conferiti da epoche disparate contributi di alto interesse e che offre all'occhio ed al cuore l'immagine della più alta maestosa dignità del sangue...”

(…)

Insomma, parlai splendidamente e le mie chiacchiere furono accolte con animo benigno.

Che aggiungere? Un povero lettore spera che il protagonista, ormai lontano dagli sguardi (è finito il film, è morto lo sceneggiatore, la sala è vuota), trovi finalmente, almeno in Argentina, where, accustomed to the cows and the harshness of the Pampas, a young native who successfully put an end to the suffering of all of us with a compassionate withdrawal. Since, here in Europe, girls and ladies (good) family could not find better than to kiss him, to silence him.

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THE BOOK RECOMMENDED 1 / 2

T. MANN:

CONFESSIONS OF THE KNIGHT OF INDUSTRY

Felix Krull (1954)

1 - TRANSLATION OF TITLE

The novel Thomas Mann is entitled: "Bekenntnisse des Hochstaplers Felix Krull", which although not a native speaker German, I feel I can translate - without venturing too - with stuff like "Confessions of FK crook." Now ... I do not know the history, development of the story, nor the existential journey of Italian translators, who have excuses but hidden by a solid foundation, but ... "Confessions of FK knight of industry", chemminchia I mean? Whether the original title also gives me an idea of \u200b\u200bthe story I'm about to find in the book: FK is a fraud, to begin with. It is not a knight of industry. Unless you intend to scam the industry. However I do not understand this thing. Sometimes I think you make concessions at the time to translate Italian in a title, for commercial reasons. To make a book more attractive, sexy with a nice title. What the hell can I interest myself, I do not know anything about the book, to get close to it thanks to the confessions of a knight of industry? Much more naively would find more enticing to read the confessions of a fraudster. Or is a surge of honesty of the translators. They have sought the ugliest title that came to mind immediately understood why the player to stay away from this book. There.

2 - an affinity '(not elected) WITH SOME CHARACTER OF GOETHE.

The feeling, per il lettore, è che ci sia un'affinità tra questo F.K. ed un certo Werther d'un tale Goethe. Mi spiego. Werther è introverso, depresso, romantico. E'un figlio dell'ottocento. Cerca in sé la bellezza che lo possa condurre alla salvezza, ad una verità. F.K. è invece, chiaramente, estroverso, passionale, istrionico. Cerca la bellezza intorno a sé, nelle cose e nelle persone - soprattutto nelle persone - che lo circondano. F.K. è l'uomo, per bel che sia nel suo reame , e Werther dentro non è che lezzo e budellame . Werther non ha nessun successo con le donne, anzi, costoro lo scacazzano al meglio con infastidita indifferenza. F.K. se punta una donna, at least give him that, his mother and sister as well. There. Where is the affinity that the reader feels in reading these two novels? That for both players, want the same thing for Werther, who is introverted, said, calling the suicide, FK, outgoing, does nothing more than to wish that someone killing him. Death sentence, in short, for both (and also for plagiarism Jacopo Ortis). If someone did that out before page 300, among other things, would make the story complete. Finally, do not want to say that Goethe was able to satisfy the reader and not Mann, gives them the doubt that has not had the time. FK that should have been 1300 pages long of which the last 300, Blues Brothers style, with all cheated in the world who follow the star up and down to Patagonia to kill him. And the last page can not. Much to everyone's satisfaction.

3 - THE ROMANCE OF DE-TRAINING

With "training" is commonly understood generally that kind of novel where the protagonist, during the narration, shows a spiritual growth, physical , intellectual. Increases his wisdom and his ability to stay in the world. As Dedalus in Joyce, for example. Stephen Dedalus is a teenager, grows, goes to school, broom, has a mystical crisis, then thinks better of it, he discovers che è tagliato per l'arte, lascia l'Irlanda. F.K. è tagliato per l'arte della truffa, direte voi. Nella sua crescita si rende conto, come direbbe qualcuno, che il mondo vuole essere preso in giro e lui si accorge di non saper fare altro. Ma piuttosto, per tutto il libro, non è altro che circonvenzione d'incapaci, quasi tutti i personaggi che lo circondano, colti, pieni di spirito, acuti, solenni, o quel che si vuole, si rivelano poi di fronte a lui, degli ebeti totali. Non ce n'è uno che non si faccia infinocchiare da questa faccia da culo, che senza troppe sofisticazioni, se li rigira tutti. F.K. non ha nessuna crescita, durante il romanzo. Impara soltanto come un pappagallo a ripetere in continuazione quelle quattro cose che she licked around and no one can contradict him. Well. Novel strain of Thomas Mann and his readers. FK as Thomas Mann and his readers as incapable.

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IO AND BBESTIE - notes on life with pets and not

-1 -

When I was little I thought that cats and dogs that lived with me, had a conscience rather poor - but very creative - of his being. I thought that they, yes, they knew to be four-legged things with the mustache who hunted birds and mice gnawed bones or jumping, but that, living so long with us human beings, still believed be in a transitional phase. I imagined them to think: in a little 'stretch the legs of me behind, I check a toe, before I feel legged out an inch, then I lose all this hair and I get naked and pink. And then I have to buy clothes because I become like them, the duozamputi. Here, then, I thought this was a child. Yeah, ok ... Perhaps a bit, I'm lying. That is, it is true that I thought was a child, but maybe a little-little, I believe it even now.

The first memory I have: I I look in a mirror in her grandparents' house. I must have been two years? Less? More? Mah? Anyway: who can deny that the first six months, age can not remember anything, I was not a beautiful cat?

thank those who have no thought "to the limit, a nice kitty."

Incesto Gratis Italiano

HONESTY 'OF Moloch (or) of the Blessed nientitudine -11 -

but or blatant. blatant injustice. Injustice fair.

Our love for these lambs had become something so obsessive that my parents will not endure the hassle and decided to buy us (me and Imix, which was on duty at my house) a bell'agnellino. We kept him in the garden, tied to a tree trunk with a long, long thread. When went to find him, in fact, I Imix and he left his house we were immediately in front of the trunk, then, from there, instead of following the hunt as we used to do, following the thread. It was natural to call quell'animaletto Arianna. Hugged him, kissed him. Loved it. He was a lamb cloned, genetically modified. Until the last was always small, never became a sheep or a ram or a IRCO - we were missing! - Or a sheep or lambs chissacosaiddio become non-genetically modified, as adults, when they can. From birth until the death, was always the one who was, as was his pater-clone and how they were all his brothers-clones around the world, including, perhaps, why not? those who saw the man go through. All this group of animals was more of a family, a kindred. They were all the same great being, crushed and distributed in countless bodies ... But Arianna was Akbar, he recognized me, and Imix, and my parents and my smell, my caresses, our voice. The other lambs, no. None of the people of my generation never saw what it could become that animal, as they age. Maybe we were not even the same race, I and my friends? Or perhaps, simply, we're not all like that? Maybe. But now I feel - today - to belong to another great, new family, invisible, unknowable. Exterminated. Without you - really - no idea of \u200b\u200bhow it is related to me. Without being able to have any relationship with the other members of my new species, each other as far away as the stars. Out here in the cold space ... To see them (the stars) I climbed up a tower. Soared, magnificent, incomprehensible, above the fog. It was accessible only at night. It was not possible, nor advisable, sun exposure. Swept by a steady wind, breeze, which seemed to push the aldifuori moon in the sky, was one of my refuges. She was my den. Hidden. To light. That was.

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The Scorpion and the rat

SCORPIO: Noble rat!
rat: Eh? I?
S: Yes, you! Oh noble rat, I m'appelle you!
P: Oh, hello ... or scopione. Chevvoi?

S: You see? The tears of the gods so profusely scattered about our sad earth have made it overflows the stream of habit that I ford without difficulty or danger to take me on that hill where I live.

P: E '' na bad thing ...

S: So now I request you, oh noble rat, to lead me safely anchored to your muscular back through perilous waters, then you will be generously compensated.

P: O scopione, were we are, already know that by waterways m'appugnalerai you with your pungillione velenoso accoppandomi! No! No e no!

S: Se tu non t'assumi codesto alto incarico, sappi oh Pantegana, che immantinente io attingerò in te il mio veleno, e non meditar fuga, ché non riusciresti certo a sfuggirmi, pingue pellicciotto!

P: No!

S: Zitto o t'ammazzo! E prendimi sulle spalle nerborute!

Giungono così a metà del guado.

S: Oh nobile Pantegana, perchè dunque affondiamo, ch'ancor io non t'ho punto punto!?

P: Che perchè I can not see.

S: All of the sewer rats, it is true, are excellent swimmers that I know of.

P: Well, I did not.

S: Ah.

P: That's it.

P: What you mean with that "still"? I would point the same, eh?

S: Yes, because of my nature so cruel.

P: So sarebbimo affoggati the hostess?

S: Of course.

P: And yet I do not bite you now, to avoid the soferenza anegamento?

S: No.

P: And why?

S: Because of my nature so cruel.

P: Ah.

S: There.

S: Of course ... As they cry, 'sti gods ...

P: Eh, yes.

S: Yeah.

Morono.

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HONESTY 'OF Moloch (or) of the Blessed nientitudine -10 -

atonic. Platonic but dramatic. Blatant injustice

fact, even where they are here, or maybe better ... Now I'm alone and separate. The people who go see, or rather, people who look at me let me stay to rebuild only an incomplete picture of the place where I find myself. Or the moment of my life I'm living. I do not know if a place or time are compared to those who attend them, or yes, I know for sure and I only reasoning a little better. Here, those worthy of my own, I see how it looks inside the box to see if there is mail. Then someone speaks to me, but as you do with children. I reply. They incorporate inconsistent with what I said. It 'obvious. I do not understand. It 's the usual speech: my kind of communication must have an edge. I do not stand behind. Maybe they will be to bury my corpse? Yet it seems to me too much time has passed now, since I reached this state of affairs. It does not seem to stink. Or rather, I do not feel any smell. That time has passed I infer from the fact that sometimes I seem to be able to sleep and to dream. The dreams, however, we know, are not as reliable as the calendar. I'd better point out that where I am, there is no fog. This is indicativissimo that we are still in an enclosed space, then exclude some of the assumptions made at the beginning of my narrative. Unless we are at a high altitude, this would undermine also the place pool and the initial assumptions ... But as far as we can be at the top, I do not feel any cold. Well, do not even feel warm. I'd say all in all I do not feel anything like that. I'm mean I'm good or very bad? Add this too: what I see, I see how the horses. Well, I mean ... I do not know what to see the horses, but I know how, only straight ahead. So the people I see move, although there is no fog, I can follow with their eyes up to the time when I cross the horizon, such as lambs and as the fog from the fog in front of us. Behind I did not see then. I do not see anything now. Yet there is something there, too, there is also the life my shoulders. It 'possible that the whole world has gathered in front of my eyes, then as now, behind my back and everything is dead? and the moment when he was alive and active, unique?

Cool A Perminant Magnet To Absolute Zero

DE LEAR-HUME, No.3: ATOMS DANCERS

I do not think that this morning the dawn will be able to ennoble outline the contours to give a decent tone when I wake up or that the sun beating down on things and then save all the greyness of my actions so I am going to try A witness who speaks to me of my best side.

The search will start from the center obtained by hard lines converge from all points of my frame, for obtaining more than an average of all colors and all the words assegnango simboli specifici ad ogni singolo atto o movenza o cenno o piega. Questi segni si andranno a sovrapporre formando l'inequivocabile immagine del mio agognato testimone.

La bionda periferia reclamerà per l'esclusione, ma i miei impuri pensieri la ricacceranno nel limbo dell'io mio più modesto e silenzioso. Anche in questi ambiti così interni così intimi vige lo stato di polizia e se la minoranza è minoranza ed oltre tutto si mette anche a rompere le palle, va schiacciata, va fatta tacere, va convertita alla corrente principale, per dio, va fatta trionfare la Democrazia!

L'edificio più modesto situato casualmente fra i ricchi ed alti templi Breath thought, feeling, and then turns out to be the most expensive to manufacturer. From the hall, in fact, with the windows open can enjoy the current tension in the air vibrate ideas sounds of words you collect, then expand as bright circles on the water - it does not take much to make a man happy.

The main course, then, festive decorations, at first, our architect immalinconirà more accustomed and more comfortable environments in the dark and collected, giving more to his words echo the most insignificant. So the best wood for him, just outside the city, possibly a low sky. Focus on the nebulous but rational thought.

The spontaneous dance of the atoms of my all jumped in the ring of sentimental thoughts adult adultery adultery (not thought of betraying a child to rot) and suffers a bit at each stop 'the stillness that is certainly not for these dancers Barrels (do not know, but will not serve them nor beat, nor pop, nor the hitchhiking) will launch on track boulevard crazy crazy love hating sleep at a certain age will stun them continue to dance, it certainly does not lack the breath .

Adult - Adultery - Adultery

... to betray, to rot ...

As a child I could only draw a home so now things are much better, even I can do with computers, I had a little 'patience and the right software I'd need anything even to draw a new brain, space for free thought on the garden area metereopatica tavern visions of voluptuous kisses kitchen.

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TRETE TRETE-A-4 / 4

"Now ... I want you to choose it based on your behavior, your words. What I want from my man is having a super brain. "

NOOOOOOOOOOOOOOOOO!

** You did not think so last night ... eh ... eh ...**

(What talk-think-the same night? Which Witch is the Marsh as well as bigamy, too slippery so ubiquitous?)

They are silent. Maintain the balance. And a move to compromise.

"Or you cut me in two"

The look of the contestants falls rapidly with amazing resolution on the knives from the rounded tip. The vision discourages them.

Then reflect on the meaning of mutilation. Vertically? If it were horizontally Grendel would have a preference. If it were diagonal, there would Beowulf. In fact, the phrase draws Swamp Witch in biblical wisdom: it points to the sum Solomonic solution. Waits for someone to say: "Rather than see it cut I leave to you" and then reward him with his love. Then you know, love wins in escapes.

NOOOOOOOOOOOOOOOO!

"" Rather than see it cut I leave to you, beGoRwENuDElfL! "

Proof intellectual ends as a draw.

"No, you take it." "It 's yours."

"I do not want"

(She) .* * I was afraid this

"It sucks!" "Save it and brings about the plague in your house"

"What you did and you dry your heart!"

E 'time of physical evidence.

"Guys, beviamoci coffee. As four friends at the bar "

We were four friends at the bar

who wanted to change the world.

"We'll call him probe. Dondo? "

Said one of us.

Who was the fourth? The spectrum of a singer with the blond mustache and the bullet in his heart, was hovering between them. Who was invited? Who was the child that grew in the belly of the Swamp Witch? (Note to the reader in a loud voice for the last part uses an emphatic upward.)

Then the pretty lady stood up again, to bring the coffee.

The physical evidence consisted of mixing the cafe a few grains of poisonous dust-killing bulls and influence under the saucer, so that you could see but that trigger their occult power, however, some magic symbols at random and taken from 'effect unknown. Empirical occultism.

These are the rules: the poison is enough to kill someone. At worst (not that has to do with the pasture), one of the two would go to the gastric lavage, or better, gastric lavage would have gone for him. Through it. Well.

Time: If the other, healthy, heroically taking it to the emergency room, he had not (unintentionally) beat or beat rattling here and there would have been chosen, because his strength was in the service of the weakest. If the other had left the hospital without bringing the curse or doom, or ranting against the suspected coffee flavor, sarebbe stato lui, invece, il prescelto: non la forza ma la nobiltà. Che piacere averlo vicino, pensava Strega, al suo capezzale, accarezzargli i capelli e tergergli il sudore della febbre estiva che gli segna la fronte. Un onore.

C’era una volta una gatta.

Questo soffitto viola non esiste più.

La gatta ci cadrà sulla testa.

Se il forte non avesse malmenato ed il debole non avesse maledetto, o se il forte avesse percosso ed il debole inveito, Pari. Per l'eventuale test tie drawn sabers were ready under the sofa.

However, a sip was enough to keep the two young men dead as nails.

NOOOOOOOOOOOOOOOOO!

Fourth test.

The spectrum of the two will not be in a dream to the Swamp Witch in the next two weeks to curse it, has been the man of her life.

past: two Sunday, two Monday and two Tuesday and two Wednesday and two Thursday, two Friday, two Sabbaths. In that order.

It was not just to the Swamp Witch to understand that this was not the way to understand the exact count of two weeks. In fact, he perceived, he had spent fourteen. However neither of them had appeared in the dream and that was enough.

Fifth test.

He understood from the face of the unborn child, what was the father, because Nature never deceives a mother could bring cosìdiconseguenza ecceteraeccetera and chrysanthemums on the grave of man to whom she was-well-let's widow potential. Another the shame forever.

Another five months passed from the count of weeks and was born a young pig healthy and pink, similar in all respects to the Deus ex Machina. She fe Death baptized there.

Kate Plays Ground Name

HONESTY' OF Moloch (or) of the Blessed nientitudine -9 -

the love. platonic love. Platonic but dramatic.

Now I should perhaps tell a bit about this place. Not that I'm in now, but the one where I was then. Then when we were following the chase, I mean. I've told you what was foggy. But of course I could not make you a real idea. It was so dense this fog, which almost nobody has been able see in his life to the top of any tree without arrampicarcisi. It's not that everybody is going to climb trees just for the sake of seeing the top, and then not know for sure that there is a top, and not all hearsay. Or why go up there with no view to admire? Some, to be frank, he argued that above the fourteenth floor, the fog tends to thin out and disappear. But anyway, even if it were true, we would see from up there, if not always just fog? But I admit that this fog we had an advantage: travel was virtually impossible to arrive at the square was already a miracle of memory: 37 steps right, 51 right, still 563 steps straight ahead, with the perennial risk falling in the garden of some stranger with pitchfork, or, worse, fall on the pitchfork of some stranger in his garden. This advantage, resulting from the extreme difficulty of the move, meant that our small country to become boundless. Besides, not even the universe is infinite until you have sailed far and wide? And is not the incalculable number of stars until I have all counted? And is not eternal all this , except that the time was born with it? On the other hand, our land could be regarded as effectively infinite, since it had no way to put border. To what end? Neither party would never, by any direction, to try to overcome them. And so it was easy to feel a strong sense of brotherhood towards all other people in the world. Although no one has ever seen. But assume that you have always gotten along. The square, square, was surrounded on three sides by a porch and looked out on the fourth square of the old disused church. Well, someone still c'andava, even if you do not know what to do. I mean ... Christianity was already dead and buried stuff (but not yet risen) when we were children ourselves. There were other superstitions, other cults, which gave more satisfaction. I do not mean that he does not like to think that every time someone gets to crucify you, but in the long run than anything else, finisci per sentirti in colpa. Anche perché io penso che il mondo da quando è morto Gesù non sia migliorato proprio per niente. E anche se ci ha mondati tutti da qualche orribile peccato perpetrato dai due idioti dell'Eden, beh... comunque siam sempre qua che dobbiam "andare e moltiplicarci", no? Sarà questo, sarà la nebbia che ci rende inviso il cristianesimo. La nebbia che ci fa "restare e separarci".

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TRETE TRETE-A-3 / 4

In effetti anche Beowulf s’incanta invidioso su di un paio di lancette che gli sembrano decisamente luuunghe.

TIC TAC

e poi, improvviso:

TOC TOC

come... d'un bussare!

“Grendel!”

“Grendel?”

*Perché non ha suonato il campanello?*

*Chiccazzo è Grendel?*

(Grendel):“Yuhuhuhuuuuh!”

Ecco gli apre la porta, ecco entra, ecco che goffo le porge un mazzettino di fiori di campo, then she put them there on the cabinet, including empty bottles of wine.

"Do you like the flowers of the field?"

"You know ... do not ever think I've got"

"Oh my gosh!" And "Gosh!"

(All three ):*** Chiccazzo is Dinc? ***

mah.

Ecco.Che you kiss on the cheeks.

* No bell. But Flowers. *

"Beowulf, Grendel is this. Grendel ... "

Here. You shake hands:

** May you die in three seconds if you're not his cousin straight .**

"Good. So, come on, sit down. Here comes the first course. "

The first course flying fast between the doubts and perplexities of the two guests, who devoured the contents malcontenuti angry glances.

** Why not told me that his cousin called?

** ** It will be his cousin?

** ** Why?

** ** I can not bear to dine without a centerpiece decent .**

"Before I serve the second, I want you to know that neither of them is my cousin. Oh dear ... Grendel, yes, but it is as if it was not. * Wow .* You were both invited because I love you both and this dinner will help me understand which of them will choose for life. Here, in a friendly meeting to determine who among you is my ideal partner. "

The second is served but no taste. Past the time that normally serves to conserve a second course, the Swamp Witch rises in the total silence of thoughts, words, works of non-omissions and serve fruit and dessert.

In the farthest point of the room in a corner, sandwiched between two walls, invisible and inaudible from our players is a man curled up: hands and knees through his hair against his chin. Shout out loud, and it constantly:

NOOOOOOOOOOOOOOOOOO!

maybe he is the deus ex machina of the story.

If the voltage is approaching unsustainable levels, but the protagonists of the story continue to survive, or rather, to exist, is perhaps the case that we set up a song of praise to God the Creator of the knives from the rounded tip.

Ma: That's another story: Among the papers found among the papers scattered in the bedroom of our random deus ex machina, we learned some shocking truths: Beowulf and Grendel are actually half-brothers and the Swamp Witch is the mother of both. The Father of Beowulf is that Siegfried has done it once. If we are honest among the papers it is clear that once fell into an underground cave where the Swamp Witch and hid Grendel, Beowulf cuts the lead of the half-brother and sinks the blade into the chest of the mother, but as I said this is another story . This ensure that it is not. [?] It is the other.

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QUOTE freshly picked - CARL GUSTAV JUNG

These heroic myths vary enormously in the details, but the more closely we examine them, the more we realize that they are structurally very similar. They have, so to speak, a universal structure, although in practice they are developing come in groups or individuals unrelated to any possible contact with each other, as, for example, African tribes, those of North American Indians, the Greeks or Incas of Peru. In all cases we are invariably faced with a story that describes the miraculous birth but humble hero, his first tests of superhuman power, the rapid rise to positions of prominence and authority, his triumphant battle against the forces of evil, his fallibility in front of the sin of pride (hubris), and his fall as a result of a betrayal or a "heroic" sacrifice that ends in death.

From "The Man and His Symbols", trans. Roberto dodgers.

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TRETE TRETE-A-2 / 4

TLINE Tlön

* Here! * "Yu-uh-uuuh!" (He, from behind the door).

Do you (from behind the door, but on the other hand, with an eye to the peephole): * Yes, he rang the bell, but brought wine. What can not go? *

Here are the open, here comes clumsy hands the bottle here, here she supports the here-there-amongst the flower pots.

"Do you like fruit?"

"I never thought about not so.Non"

"Oh! Wow!

* I wanted flowers. Flowers .*

that looks magnificent glass-rod!

* But the bell has sounded

* * My joke has not even touched yet - be the stuff of intellectual- Bacchus-golly *

's kiss on guance.rubiconde.che word.

* No bells, of course. Do not play if you kiss with your mouth shut .* "Come, sit down"

"Thanks, Swamp Witch." "You want music?" No.Basta your voice "* This time I hit hard! falters, Beowulf! *

(She): * I feel a twinge in effect .*

The two are sitting di fronte e si squadrano interrogativi.

*La cena era una scusa. Punta al sodo.*

*Questo aspetta la cena. Che gli dico?* e/ma poi, subito, pronta:
“Per la cena un attimo di pazienza.”*

Lui: “Certo.” *Allora marca male*

Sempre lui: “Vuoi allora che intanto apriamo il vino?”

“No. Il mio vicino di casa quando ero piccola mi disse che era maleducazione bere il vino rosso prima della seconda portata e, riportando, costui, sempre detti tratti dalla tradizione popolare, non escluderei che possa esserci un motivo fondato which is also linked to hygiene issues .... "

(He): * Do you think I should do it drunk and pulls out a damn near *

" Sure, I understand, but you close your home, but was ... "

" A model of life. "

* Here. I had to say white. I knew it. I never said the first red .*

Pliko Plok

The sink loss: a soundtrack that wear out the two silent people. Elapsed since more than half an hour since he arrived.

"Witch ..."

"Please do not call me that" Oh maybe I hit * *

"Swamp okay?"

"Sure," I * sucks *

"Swamp, cos' that clock has beautiful that I do not? "

" Why? "

" continues to set. "

In fact, even envious Beowulf enchanted on a pair of hands that seem very looong.

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HONESTY 'OF MOLOCH (that) Of Blessed nientitudine -8 -

cantati sguardi. sguardi d'amore. Amore platonico

Ma mi sembra - a voi non sembra? - che stia correndo un pò troppo con questa storia, non vorrei svelare troppe cose trooooppo presto, sennò capirete tutti come andrà a finire molto prima di metà del libro: poi non continuereste. Non c'è da fidarsi neanche di voi. Ho detto "libro" perché ormai mi sono persuaso di essere Io uno scrittore e Voi miei lettori. L'ho capito dal fatto che devo aver deciso di scrivere perché la mia personalità era altrimenti inaccettabile sotto ogni altra possibile forma. E' così che nasce uno scrittore, no? Ha un sacco di cose da dire, but can not find anyone who can take it or did not want to look for, and then it becomes an imposing his own personality to the readers so, betrayal, blind, without having first tried on the field that his ideas work, because maybe he fear of failure, that's why I called it "book", "my players." However, clarified this, please do not give up, stop reading if I remove the only certainty I have for centuries.

Well, anyway. (If no one ever read, I'll never written).

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TRETE TRETE-A-1 / 4

in joy to celebrate the imminent Valentine's Day, is now aired the first of four episodes of a love story, based on a story absolutely true. Of course, for reasons of copyright, privacy and child protection-the dialogue, the scenery, the facts, characters, colorings and the choices of clothing and furniture (which mostly are not listed) are pure fantasy.

A legendina to the reader: when the sentence is completed between the graphic symbols **, the words contained therein are the result of the thought of the character, and not his tongue. Therefore no words that other people present on the scene, they can perceive, through the normal channels of hearing, where they have received, and excluding maintenance cost, because it was considered implausible, the telepathic hypothesis, as they would in the case of those opened and closed by "".

Thank you for joining us once again chosen.

Beowulf at the wheel of his sports car literally burned the distance - not for long - unexpected but always separated him from the now called personal heaven: * I knew! I knew that sooner or later the Swamp Witch would fall in my canvas texture fitt'ordito of heroic passion virilism gifts and kindnesses *.

Witch Swamp their tables - at least mentally - * I hope that soon the bell sounds .*
Quando.lo.amore.viene.il.campanello.suonerà.

When the kiss ring their bells. The wedding march. For the first child, champagne. At his death, slow strokes. Better, certainly at that age I can not stand fast pace on the climb to the cemetery .*

Beowulf:

"Mr butler, a bottle of wine from the good one, pressed by Dionysus himself, or gods, that is, to God, and that laugh "

" White or red? "

già.bianco rosso.come or if my life had not already been all over a white or red. thought I had said everything instead. white or red.

here were all the world's problems.

Cantiniere, I ask for a wine to laugh and you hit me with the knife behind. White or red ...

"Red, thank you" * I did not think he would understand nothing, the fool .*

Witch Swamp:

* I hope you do not bring me wine .. . Flowers from my beloved! And then, away! The bouquet to my witness, this will be my best friend, whom she married a cousin of my husband. So intelligent but so ugly. Kisses to the baby. Then accompany. Chrysanthemums .*